A-Z POETRY

I met a traveler from an antique land
Who said: “Two vast and trunkless legs of stone
Stand in the desert . . . Near them, on the sand,
Half sunk, a shattered visage lies, whose frown,
And wrinkled lip, and sneer of cold command,
Tell that its sculptor well those passions read
Which yet survive, stamped on these lifeless things,
The hand that mocked them, and the heart that fed:
And on the pedestal these words appear:
‘My name is Ozymandias, king of kings:
Look on my works, ye Mighty, and despair!’
Nothing beside remains. Round the decay
Of that colossal wreck, boundless and bare
The lone and level sands stretch far away.

In this winding story within a story within a poem, Shelley paints for us the image of the ruins of a statue of ancient Egyptian king Ozymandias, who is today commonly known as Ramesses II. This king is still regarded as the greatest and most powerful Egyptian pharaoh. Yet, all that’s left of the statue are his legs, which tell us it was huge and impressive; the shattered head and snarling face, which tell us how tyrannical he was; and his inscribed quote hailing the magnificent structures that he built and that have been reduced to dust, which tells us they might not have been quite as magnificent as Ozymandias imagined. The image of a dictator-like king whose kingdom is no more creates a palpable irony. But, beyond that there is a perennial lesson about the inescapable and destructive forces of time, history, and nature. Success, fame, power, money, health, and prosperity can only last so long before fading into “lone and level sands.”

There are yet more layers of meaning here that elevate this into one of the greatest poems. In terms of lost civilizations that show the ephemeralness of human pursuits, there is no better example than the Egyptians—who we associate with such dazzling monuments as the Sphinx and the Great Pyramid at Giza (that stands far taller than the Statue of Liberty)—yet who completely lost their spectacular language, culture, and civilization. If the forces of time, history, and nature can take down the Egyptian civilization, it begs the question, “Who’s next?” Additionally, Ozymandias is believed to have been the villainous pharaoh who enslaved the ancient Hebrews and who Moses led the exodus from. If all ordinary pursuits, such as power and fame, are but dust, what remains, the poem suggests, are spirituality and morality—embodied by the ancient Hebrew faith. If you don’t have those then in the long run you are a “colossal wreck.” Thus, the perfectly composed scene itself, the Egyptian imagery, and the Biblical backstory convey a perennial message and make this a great poem.