BIOGRAPHY: Lewis Carroll (1832-1898)
Lewis Carroll was an English fiction writer who wrote and created games as a child. At age 20, he received a studentship at Christ Church and was appointed a lecturer in mathematics. Carroll was shy but enjoyed creating stories for children. His most famous books include Alice's Adventures in Wonderland and Through the Looking-Glass.
Early Life
Charles Lutwidge Dodgson, best known by his pseudonym, Lewis Carroll, was born in the village of Daresbury, England, on January 27, 1832. The eldest boy in a family of 11 children, Carroll was rather adept at entertaining himself and his siblings. His father, a clergyman, raised them in the rectory. As a boy, Carroll excelled in mathematics and won many academic prizes. At age 20, he was awarded a studentship (called a scholarship in other colleges) to Christ College. Apart from serving as a lecturer in mathematics, he was an avid photographer and wrote essays, political pamphlets and poetry. "The Hunting of the Snark" displays his wonderful ability in the genre of literary nonsense.
'Alice's Adventures in Wonderland' and Literary Success
Carroll suffered from a bad stammer, but he found himself vocally fluent when speaking with children. The relationships he had with young people in his adult years are of great interest, as they undoubtedly inspired his best-known writings and have been a point of disturbing speculation over the years. Carroll loved to entertain children, and it was Alice, the daughter of Henry George Liddell, who can be credited with his pinnacle inspiration. Alice Liddell remembers spending many hours with Carroll, sitting on his couch while he told fantastic tales of dream worlds. During an afternoon picnic with Alice and her two sisters, Carroll told the first iteration of what would later become Alice's Adventures in Wonderland. When Alice arrived home, she exclaimed that he must write the story down for her.
He fulfilled the small girl's request, and through a series of coincidences, the story fell into the hands of the novelist Henry Kingsley, who urged Carroll to publish it. The book Alice's Adventures in Wonderland was released in 1865. It gained steady popularity, and as a result, Carroll wrote the sequel, Through the Looking-Glass and What Alice Found There (1871). By the time of his death, Alice had become the most popular children's book in England, and by 1932, it was one of the most popular in the world.
Photography and Legacy
Besides writing, Carroll created a number of fine photographs. His notable portraits include those of the actress Ellen Terry and the poet Alfred Tennyson. He also photographed children in every possible costume and situation, eventually making nude studies of them. Despite conjecture, little real evidence of child abuse can be brought against him. Shortly before his 66th birthday, Carroll caught a severe case of influenza, which led to pneumonia. He died on January 14, 1898, leaving an enigma behind him.
SOURCE: Biography.com Editors (2014), Lewis Carroll Biography, The Biography.com website, A&E Television Networks, URL: https://www.biography.com/writer/lewis-carroll
Related Links
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| About the Poet | Curious & Curiouser | Close reading: Walrus |
- Lewis Carroll Society of AmericaThe Lewis Carroll website has biographical information about the children's author, texts, activities and critical analysis.
Videos
The Walrus and the Carpenter by Lewis Carrol (read by Roy Macready)
"The Walrus and the Carpenter" is a narrative poem by Lewis Carroll that appeared in his book Through the Looking-Glass, published in December 1871. The poem is recited in chapter four, by Tweedledum and Tweedledee to Alice.
SOURCE: MacIntyre, C (2015), posted on YouTube, Duration: 5:15 mins, URL: https://youtu.be/2CWOp5cqA10
Commentary: The Walrus and the Carpenter
The Walrus and the Carpenter are the eponymous characters in the poem, which is recited by Tweedledum and Tweedledee to Alice. Walking upon a beach one night when both sun and moon are visible, the Walrus and Carpenter come upon an offshore bed of oysters. Groups of four are called up; the exact number is unknown. To the disapproval of the eldest oyster, many more follow them. After walking along the beach (a point is made of the fact that the oysters are all neatly shod despite having no feet), the two main characters are revealed to be predatory and eat all of the oysters. After hearing the poem, the good-natured Alice attempts to determine which of the two leading characters might be the more sympathetic, but is thwarted by the twins' further interpretation:
"I like the Walrus best," said Alice, "because you see he was a little sorry for the poor oysters." "He ate more than the Carpenter, though," said Tweedledee. "You see he held his handkerchief in front, so that the Carpenter couldn't count how many he took: contrariwise." "That was mean!" Alice said indignantly. "Then I like the Carpenter best—if he didn't eat so many as the Walrus." "But he ate as many as he could get," said Tweedledum. This was a puzzler. After a pause, Alice began, "Well! They were both very unpleasant characters—"
The characters of the Walrus and the Carpenter have been interpreted many ways both in literary criticism and popular culture. Some, including the character Loki in the film Dogma, interpret the Walrus to be a caricature of the Buddha and the Carpenter to be a caricature of Jesus Christ. British essayist J. B. Priestley argued that the figures were political, as does Walter Russell Mead, who utilises the Walrus and the Carpenter as an allegory for Britain and the United States respectively. However, in The Annotated Alice, Martin Gardner notes that, when Carroll gave the manuscript for Looking Glass to illustrator John Tenniel, he gave him the choice of drawing a carpenter, a butterfly, or a baronet, since each word would fit the poem's metre. Because Tenniel rather than Carroll chose the carpenter, the character's significance in the poem is probably not in his profession, and interpretations of the poem as a commentary on religion are likely false. Gardner cautions the reader that there is not always intended symbolism in the Alice books, which were made for the imagination of children and not the analysis of "mad people".